"Close your eyes, count one, two, three and
There you are, a soul swirling, but no
Not down a rabbit hole. Oh no!
It's the new millennium you got stuck in
And you've become a squiggle on cloud's surface.
Clamouring with other like souls as Tinkerbelle,
the Mad Hatter and the fairies look on."

Alice by Mari Fitzpatrick


Ancestor by Jim Boring is a haunting reflection on strength and survival, immortalized in the stern gaze of a pioneer woman. The poem paints a vivid portrait of a woman whose life was shaped by the harsh realities of frontier life, including the violent loss of loved ones. Her steely eyes and hardened expression, frozen in time by a photograph, bear witness to the struggles she endured—bathing children in the Ohio River, tending to the wounded, and facing the brutal aftermath of conflict.

The Witches Grace by Nonnie Augustine is a mesmerizing tale of transformation and redemption, woven with the threads of magic and myth. The poem transports readers to the mysterious cave of a Highland Witch, where the speaker finds refuge on panther pelts, warmed by an eternal fire. Wrapped in a shawl of vibrant colors and adorned in a gown as dark as the night, the witch chants healing incantations and offers "WitchFs Stew" to restore the wounded. T

Dance of the Dead by Maureen Wilkenson is a chilling poem that brings the eerie magic of Halloween to life. Under the ghostly light of a misty moon, the earth trembles as graves stir open, releasing skeletal figures from their moss-covered tombs. On this haunted night, these spectral dancers emerge with a rattle of bones, defying the stones meant to keep them at rest. The poem warns of the perils for those who doubt these ancient rites

Issue Art Wall



Alice by Marie Fitzpatrick

So Alice was a children's book for adults
Dreaming of their childhood and how
They wish it could be again or was really
When they were having a bad day and they wished
Three wishes, for an angel, a fairy or a genie,
As they poured from the wine bottle
they would rather have rubbed
while closing their eyes preparing for enchantment
in the life that was lived then.

Close your eyes, count one, two, three and
There you are, a soul swirling, but no
Not down a rabbit hole. Oh no!
It's the new millennium you got stuck in
And you've become a squiggle on cloud's surface.
Clamouring with other like souls as Tinkerbelle,
the Mad Hatter and the fairies look on.
You're knocking on a cottage door and you grow big

So big and they won't let you in,
And you grow small and you know you'll disappear,
But before you disappear forever
You step back into a body and pour a toast
To your existence as your soul stays screaming
In clouds that were once for dreaming.
Then you know that Alice is a children's book,
For adults dreaming of their childhood
And how they wish it could be again
When they are having a bad day
And wishing three wishes, for a angel, or a ghost,
as they pour from the wine bottle
they'd much rather rub.


2007 Mari Fitzpatrick


Fiction: Managan, Long and Jones

Vampires, Ghosts, the Dead returned
by Yvette Managan

Carnal Knowledge
by Stan Long

I was nine and my sister seven, and we were walking home from the dam that was a favourite haunt of mine, where moorhens nested and herons fished and where will-o-the-wisps coiled over the marshy ground on damp evenings. Visiting with her grandma with whom I lived, she had asked to go with me to see the dam during that late afternoon in the summer of the war when all the young men had been conscripted and both town and countryside were empty of them.

My Lady Adair
by A Jefferson Brown

When I was a child, the month of October was always the greatest time of year. Even though school was back in session, we had the State Fair in the beginning of the month and Halloween to bring in November. In between the two, there was always some harvest festival or other going on at one of the local churches. For me, a poor boy in a small town in South Carolina, October was as fun as summer break.

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Necromancy
by Karen Jones





Necromancy by Karen Jones

I lay her out the way I did the others, before rigor mortis sets in: naked, on her back, right leg bent, so the inside of the right foot rests against the left thigh. Her right arm is across her flat belly; left hand resting on the left thigh.

This one is so fresh, so fragrant -- only minutes since her grateful last sigh. I lie down beside her in that same position -- the position I've slept in since childhood. We look like we were meant to be together.

In a few hours the spell will work and she'll speak to me. She would never have spoken to me when she was alive, but when I wake her she will howl my name, shriek and curse, filling me with passion.

Sometimes the others come back -- seven girls berating me. Those are the best nights, when the pleasure is almost too great. And when they and I are spent, I lie down by my latest love; the others fade away.

From the college campus, sounds of innocent, girlish laughter float through my basement window, lulling me asleep; to dream of next time.



My Dead Love Came In by Bill West

Night Maneuvers by Ramon Collins

Moonlighting by Craig Capron



My Dead Love Came In by Bill West

Liam's coffin lay across two saw horses. It was littered with plates, half-empty glasses, and Liam's pipe. The coffin lid was a crooked fit leaving a crack into which spilt stout dripped. Liam's widow Margaret sat beside it, her pale hands crossed on her lap.

Outside the sea wind whistled over the shingle roof and tugged at the fishing nets drying on the stone walls.

The low door opened and night air stirred smoke from the fire. An old priest entered, removed his hat and scarf and sat down amongst the mourners.

Old Jimmy chinned his fiddle and played a lament. His brother, Michael pulled a tin whistle from his jacket pocket and played along, two voices dancing in the thick air.
When they finished Margaret asked the priest ifhe would sing "She moved through the Fair" for it had been Liam's favourite. Liam would sit on the seawall at sunset and whistle the tune, mournful as a gull. The priest smiled, stood amongst that rough company and sang, the fiddle and whistle accompanying him.

"Last night she came to me, my dead love came in So softly she came that her feet made no din
As she laid her hand on me and this she did say It will not be long, love, 'til our wedding day"

The priest put out a hand and leaned on Liam's coffin. The coffin lurched and crashed to the ground. Plates, glasses and the coffin lid slithered to the floor as one of the saw horses gave way. The mourners jumped up and crowded round.

Maybe Liam had awoken, drawn back from heaven to be with his beloved. But he was dead sure enough, his body wrapped in white muslin, his skin yellow as the scale on a cock's claw.
"Is it chemicals make him that colour?" someone asked.

"To be sure we're all Chinese in the eyes of the Lord," said a drunken voice.

"May you be in heaven a half hour before the Devil knows you're dead!" said Jimmy the Fiddler.

There was more laughter. The men folk kicked the remains of the worm-eaten saw horses into the fire. Flames sparkled in the fireplace, lightening the atmosphere. They leaned Liam's coffin against the wall while Jimmy and Michael struck up a jig.

Margaret unpinned her hair, stepped in front of the open coffin, and danced for Liam one last time.



2007 -Bill West



The Awakening by Jim Parks

Jess' Palace by Yvette Managan

Something's Wrong With Lennie by Nonnie Augustine



Gothic by Nonnie Augustine

The hour is late and he is gone for good,
at last. I welcome the howling storm this night
as the furious wind is blowing past our safe cottage.
The shadow cast by the oil lamp holds no threat
as the rain's percussion is hard and fast.
Our home's the haven we craved at last.
Lightning's our trumpet; each strike proclaims
to all nature that we are saved.
My good dogs were restless, asked questions
with their round brown eyes. When I spoke,
they settled, stretched, laid down their heads.
From the hearth, the fire, far more generous
then he'd allow, warms our spirits.
My tabby cat, in thrall to the flames,
knows his work-boots will not kick tonight.
We four, two dogs, one cat, and I,
have had sweet comfort, ease,
since the moment I cried,
"The deed is done
and he is bound for hell at last,"
and still, the screaming wind
is blowing past.


Ancestor by Jim Boring

The face in the frill of her bonnet
belies the femininity of her cap.
Her eyes look straight at you assessing -
her mouth a crack in the ice.


There is nothing soft in this woman now
who bathed her babes in the Ohio River
and salved the head of her daughter
scalped but alive among the corpses.


Gone now for almost a hundred and seventy years
she still looks down on us in stem appraisal
frightens our children when they are left with her alone -
she whose face grew hard protecting her own children
when they found their father his mouth stuffed with dirt
with the others of Mad Anthony Wayne's contingent -
Here is the land you are so greedy for - the message said.


2007 Jim Boring


Dance of the Dead by Maureen Wilkenson

The moon, a misty slither,
Turned her head,
The earth's a quiver
Beneath her orb of grey.
When Graves did heave
Upon the night
Called Hallows Eve.
Mushroom white
Skulls appeared
Bones, with dirt
And moss adhered
Arose with click and clack
On gravestones
Meant to hold them back.
One night a year
In which to dance
And touch your shoulder
lf by chance
You happen by and disbelieve.
They'll poke your eyes
And pull your sleeve,
Lead you dancing,
to the grave.
Entrails from gut
They ripped and tore
are dripping now
From grinding maw
Then never more
Shall you be seen,
For a step too far, on Hallow E'n


2007 Wilkenson


Art and Poetry

Poem Written While Delaying Suicide by Scurvy Bastard

Alice by Mari Fitzpatrick

Art Photography by Russell Joslin

Editor: Yvette Managan
Editors for Review: Ramon Collins, Nonnie Augustine
Photography Editor: Maia Cavelli
Database Design, Peter Gilkes
Design: Marie Fitzpatrick
Cover Image: Achill Sound, Marie Fitzpatrick, 2004

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